Upload your deck and get a 30-second read — the story as one flow, ten weighted dimensions, a valuation range, and what to fix first. Prefer to drive? Score and value it by hand, or build one from scratch. The rubric is reverse-engineered from the decks that actually raised.
Also here: the Valuation Lab · what the great decks did · instant credibility killers
Drop a PDF or your slides as images. You get the story as one flow, then each dimension graded, gaps before nitpicks — in about 30 seconds. Your deck is confidential: it's sent for analysis and never stored.
Score each criterion 0–5 as you read the deck. Categories are weighted by what moves a seed decision. Weights re-balance when you switch stage — at pre-seed, team and “why now” carry the round; by seed, traction has to show up. Your scores also feed the Scorecard method on the Valuation page.
Every popular way to put a number on a company with little or no revenue. The qualitative methods (Berkus, Scorecard, Risk Factor) set a pre-money floor; the forward methods (VC, DCF, First Chicago, Comps) triangulate against an exit. None is “right” — the discipline is triangulation. Adjust inputs; the blend at the bottom updates live. The Scorecard method reads your grades from the Scorecard page.
Weighted across methods — qualitative floors weighted higher pre-seed, forward methods higher once there’s traction. The mid is your anchor; walk in citing the range and the methods behind it.
| Method | Type | Output | Read |
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Answer a short series of questions — each one maps to how investors actually score a deck. At the end you get a Markdown brief plus a ready-to-paste prompt that has Claude write the deck for you.
The rubric isn’t invented — it’s reverse-engineered from the decks that raised. Two structural templates, two narrative engines, and thirty-odd landmark decks below — each grouped under the one thing that makes it great, so you can borrow the move, not just admire the deck.
The things that make an investor quietly close the tab. Every one is a subtraction from the score above — often a fatal one, regardless of the rest.